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Berlinale 2024, Post #2: PS Vinothraj follows up ‘Pebbles’ with ‘Kottukkaali’, another excellent ‘road movie’ which world-premiered at the Forum section of the Berlinale

The film stars Soori and Anna Ben. Again, the ‘story’ is but an excuse to mount a wonderful set of characters and geographies and troubling traditions. To the extent that one can determine a “signature shot” from a filmmaker who is just two films old, PS Vinothraj’s second feature, Kottukkaali, opens with his… signature shot. […]

Interview: Nawazuddin Siddiqui

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Scarcity, opportunity cost and a football club

Let us start with a basic rule of economics! If something is scarce – it will have a market value. If the supply of a good or service is low, the market price will rise, providing there is sufficient demand… Continue reading →

Switzerland – billionaires and the social progress index

In 2022 it was estimated that Switzerland had an estimated 110 billionaires with a combined wealth of $338 billion – more than Saudi Arabia, Singapore and United Arab Emirates. The average wealth of Swiss citizens is approximately $700,000 but what… Continue reading →

Sajin Shrijith’s review of Darwin Kuriakose’s ‘Anweshippin Kandethum’: Tovino Thomas thriller benefits from a simple, minimalistic approach

The film deals with two murder cases in a bygone era, with common binding factors and driven by similar emotions, with a final twist you don’t see coming . Sometimes, simplicity is the best approach. It works wonderfully in the case of Tovino Thomas’ Anweshippin Kandethum. I say this because, at a time when some […]

Amit Joshi & Aradhana Sah’s ‘Teri Baaton Mein Aisa Uljha Jiya’ is a man-robot love story without an iota of genuine human emotion

The film stars Shahid Kapoor and Kriti Sanon. The premise has promise, but the flat screenplay and flatter direction kill all possibilities of fun. In the opening stretch of Teri Baaton Mein Aisa Uljha Jiya, a robotics programmer named Aryan (Shahid Kapoor) has a dream that he lifts the veil off his bride and she […]

Readers Write In #666: Kaathal- The Core and the Cover

By Karthik Amarnath The biggest surprise in Jeo Baby’s Kaathal-The Core is how squeaky clean it looks. I hardly saw a scene with a dirty floor or a messy room. All the frames are clean, all the clothes neatly pressed, the mustaches perfectly trimmed. For a film that’s titled The Core, the screen feels like the gloss. And […]

Aishwarya Rajinikanth’s ‘Lal Salaam’ is an underwhelming, old-fashioned story about Hindu-Muslim unity

The film stars Vishnu Vishal and Vikranth, and Rajinikanth appears in a supporting role. The good intentions are undone by a convoluted screenplay. In Aishwarya Rajinikanth’s Lal Salaam, Senthil plays a temple priest named Saamikannu. He lives alone. His son lives elsewhere with his family, and Saamikannu yearns for the annual temple festival: the thiruvizha. […]

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