
Berlinale 2024, Post #2: PS Vinothraj follows up ‘Pebbles’ with ‘Kottukkaali’, another excellent ‘road movie’ which world-premiered at the Forum section of the Berlinale
The film stars Soori and Anna Ben. Again, the ‘story’ is but an excuse to mount a wonderful set of characters and geographies and troubling traditions. To the extent that one can determine a “signature shot” from a filmmaker who is just two films old, PS Vinothraj’s second feature, Kottukkaali, opens with his… signature shot. […]

Berlinale 2024, Post #1: 10 Questions about Film Festivals
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Interview: Nawazuddin Siddiqui
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Readers Write In #668: Tracing the life of my great-grandfather Rao Sahib K Kothandapani Pillai (1896-1979)
By Venkatesh Kumar It’s been a pursuit and it happened incidentally in my life! My search in tracing the life sketch of my great grandfather Rao Sahib K Kothandapani Pillai (1896-1979), an Indian Diplomat who served as the Protector of Emigrants Madras during WW2 and was indeed involved in an event in bringing soldiers of […]

Lights, Camera, Analysis: Prabhuram Vyas (‘Lover’)
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Readers Write In #667: ‘Anatomy of a Fall’ and the subversion of narrative conventions
By Hari PR It is clear from the first scene of ‘Anatomy of a Fall’ that a little boy and his pet dog who occupy the first frame are going to be key characters. We are also immediately made aware of marital disharmony between the two leads, in literally the loudest possible way. We expect […]

Scarcity, opportunity cost and a football club
Let us start with a basic rule of economics! If something is scarce – it will have a market value. If the supply of a good or service is low, the market price will rise, providing there is sufficient demand… Continue reading →

Sajin Shrijith’s review of Girish AD’s ‘Premalu’: A familiar story with a fresh, quirky touch
A familiar story can look fresh when you add the right ingredients and enrich it with details that a lesser filmmaker wouldn’t have even imagined . Girish AD’s Premalu is a ‘literally me’ movie. It will be hard to find a guy, especially from India, who hasn’t experienced the same emotions as the film’s protagonist […]

Switzerland – billionaires and the social progress index
In 2022 it was estimated that Switzerland had an estimated 110 billionaires with a combined wealth of $338 billion – more than Saudi Arabia, Singapore and United Arab Emirates. The average wealth of Swiss citizens is approximately $700,000 but what… Continue reading →

Sajin Shrijith’s review of Darwin Kuriakose’s ‘Anweshippin Kandethum’: Tovino Thomas thriller benefits from a simple, minimalistic approach
The film deals with two murder cases in a bygone era, with common binding factors and driven by similar emotions, with a final twist you don’t see coming . Sometimes, simplicity is the best approach. It works wonderfully in the case of Tovino Thomas’ Anweshippin Kandethum. I say this because, at a time when some […]

Kairam Vaashi’s review of Mahi V Raghav’s ‘Yatra 2’: A middling, lopsided political biopic which gets the emotional beats right
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Amit Joshi & Aradhana Sah’s ‘Teri Baaton Mein Aisa Uljha Jiya’ is a man-robot love story without an iota of genuine human emotion
The film stars Shahid Kapoor and Kriti Sanon. The premise has promise, but the flat screenplay and flatter direction kill all possibilities of fun. In the opening stretch of Teri Baaton Mein Aisa Uljha Jiya, a robotics programmer named Aryan (Shahid Kapoor) has a dream that he lifts the veil off his bride and she […]

Readers Write In #666: Kaathal- The Core and the Cover
By Karthik Amarnath The biggest surprise in Jeo Baby’s Kaathal-The Core is how squeaky clean it looks. I hardly saw a scene with a dirty floor or a messy room. All the frames are clean, all the clothes neatly pressed, the mustaches perfectly trimmed. For a film that’s titled The Core, the screen feels like the gloss. And […]

Kairam Vaashi’s review of Vaibhav Mahadev’s ‘Juni’: Pruthvi Ambaar shines in this watchable film about Dissociative Identity Disorder
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Kairam Vaashi’s review of Karthik Gattamneni’s ‘Eagle’: A lot of physical labour, money and a confusing screenplay for an extremely familiar story
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Kairam Vaashi’s review of Suni’s ‘Ondu Sarala Prema Kathe’: A few laughs and convenient acts of fate in this absurd love story
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Prabhu Ram Vyas’s terrific ‘Lover’ charts the stages of a breakup with clinical precision
The film stars Manikandan and Sri Gouri Priya. Its rhythms are so fresh and new, and what it does is so revolutionary. Lover opens with an image of someone learning how to surf and falling off the board – unsteady, fearful – and one of the film’s final images is that of this same person […]

Aishwarya Rajinikanth’s ‘Lal Salaam’ is an underwhelming, old-fashioned story about Hindu-Muslim unity
The film stars Vishnu Vishal and Vikranth, and Rajinikanth appears in a supporting role. The good intentions are undone by a convoluted screenplay. In Aishwarya Rajinikanth’s Lal Salaam, Senthil plays a temple priest named Saamikannu. He lives alone. His son lives elsewhere with his family, and Saamikannu yearns for the annual temple festival: the thiruvizha. […]

Pulkit’s ‘Bhakshak’, on Netflix, dives into a sexual abuse case with disappointingly predictable results
The film stars Bhumi Pednekar as an intrepid small-town journalist. The story takes no risks in the telling, and we are left with a simplistic variation on the David-Goliath template. In Pulkit’s Bhakshak, Bhumi Pednekar plays a journalist named Vaishali, who runs her own TV channel in Patna. There is one other person in her […]

















