
Tarun Dudeja’s ‘Dhak Dhak’ is a by-the-numbers female-bonding / empowerment story woven around a biking challenge
The film features Ratna Pathak Shah, Dia Mirza, Fatima Sana Shaikh, and Sanjana Sanghi as Manjari. But the routine screenplay does them (or us) no favours. Four women decide to undertake a bike ride to Khardung la, one of the highest motorable roads in the world. Along this road trip, they bicker and they bond […]

Interview: Rathna Kumar & Deeraj Vaidy (on writing with/for Lokesh Kanagaraj)
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Vishnu Dev’s ‘Little Miss Rawther’ is a pleasant, quirky romance but it could have used more narrative heft
The film stars Gouri G Kishan and Shersha Sherief as a couple. But we don’t connect with their characters, and the result is a sweet but forgettable film. The opening scenes of Little Miss Rawther set the tone for the rest of the film. We are going to watch a filmmaker write a script from […]

Interview: Shiva Rajkumar (‘Ghost’), by Kairam Vaashi
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Interview: Netflix / National Commission for Women conclave
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Current Account Imbalances – What do they mean?
Today I have been covering this topic at a Cambridge AS Level revision course. In 2008 the world economy went through what is known as the global financial crisis (GFC). A lot of commentators had forecasted the GFC but there… Continue reading →

How well do we understand inflationary expectations?
In looking at the causes of inflation, textbooks will cover demand-pull and cost-push but not go into much detail about inflationary expectations. If the consumer believes that prices of goods are going to increase this will have an impact on… Continue reading →

Srikanth Nagothi’s ‘Month of Madhu’: Solid writing and fine acting make this a class act, says Kairam Vaashi
You can watch the trailer / video review here: Copyright ©2023 GALATTA.

Readers Write In #633: Aatmapamphlet: India’s Barbie (maybe even better)
By Kartik Iyer Paresh Mokashi does it again in 2023. This time, as the writer of Aatmapamphlet. Directed by Ashish Bende, it is based on his story, written for the screen by Mokashi. Undoubtedly, this is one of the best films of the year. From the first scene onwards, it induces laughter. The writing is supremely […]

Interview: Lokesh Kanagaraj (‘Leo’)
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A2 Economics Revision: Keynes 45˚ line
With the CAIE A2 exam coming up here is a revision note on Keynes 45˚ line. A popular multi-choice question and usually in one part of an essay. Make sure that you are aware of the following; Common Errors:1. C… Continue reading →

Kalyan Shankar’s ‘MAD’: An enjoyable hostel-caper which could have been a tad more ambitious, says Kairam Vaashi
You can watch the trailer / video review here: Copyright ©2023 GALATTA.

Rathinam Krishna’s ‘Rules Ranjann’: No rules, little manoranjan, says Kairam Vaashi
You can watch the trailer / video review here: Copyright ©2023 GALATTA.

Vishal Bhardwaj’s ‘Khufiya’ seesaws between a deeply personal drama and a spy thriller, and neither aspect comes across satisfactorily
The film stars Tabu, Ali Fazal, Wamiqa Gabbi. There are some typically poetic touches that you expect from this director, but this film needed more. Vishal Bhardwaj’s new film is set amidst covert operations in India, the US, and Bangladesh, and its title is just one adjective: Khufiya. But there’s two levels of secrecy implied […]

Interview: Muttiah Muralitharan / Madhur Mittal (‘800’)
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Roby Varghese Raj’s ‘Kannur Squad’ is a very satisfying police procedural that plays like a massier version of ‘Kuttavum Shikshayum’
The film stars Mammootty, Kishore, Rony David. It proves that good, thoughtful writing can exist in hero-centric mainstream filmmaking. Masked men enter a house, commit a heinous crime, and escape. This is what a screenwriter would call the “inciting incident” of Kannur Squad. But by this point, the film has already been incited. We have already […]

Interview: Tabu / Vishal Bhardwaj (‘Khufiya’)
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Readers Write In #632: The Vaccine War: Potential of a Great Medical Drama Cut Short by Somewhat Less Focused Third Act
By Vishnu Mahesh Sharma Just before the intermission, in Vivek Agnihotri’s ‘The Vaccine War’, on a while board with a black color marker, a prominent scientist writes “Only science can win this war.” Immediately after this ‘Nasadiya Sukta’ is heard in the background. On one hand this signifies and symbolizes confluence of scientific aptitude and […]














