Madonne Ashwin’s ‘Maaveeran’ starts off promisingly, with a great premise and an in-form Sivakarthikeyan, and slowly becomes tiresomely generic

Spoilers ahead…

“A terrific premise. A big heart. But too long and, after a point,  too one-note – we seem to be seeing variations on the same themes and jokes.” I said this about Madonne Ashwin’s first film, , and I have the same comments to make about this director’s second film, , which is a sequel to Mandela. Here, too, a man is oppressed. In , the protagonist was literally from an oppressed community. Here, Sathya (played by Sivakarthikeyan), is a cowardly lower-middle-class man who is oppressed by the System and its politicians. And in both films, the way out from this oppression is through the protagonist’s very identity. In , it was a voter ID card. Here, it is through Sathya’s identity as a cartoon-panel storywriter, who creates a serialised -like comic strip for a Tamil newspaper. – “brave warrior” – of the comic strip is Sathya’s id, his Tyler Durden. It’s an extension of his identity, representing the rage that’s inside him but just won’t come outside.

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https://www.galatta.com/tamil/movie/review/maaveeran/

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