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Here, you’ll find several blockbusters that fell short of the original 100 — “Sinners,” “Barbie,” not one but two “Dune” movies — and small international gems like “Drive My Car” and “The Handmaiden,” too. “Midsommar” and “Mean Girls” entered the chat, while a surprising number of rankings (“Mulholland Drive,” “The Social Network”) stood firm. Full […]

By Sai Prasath On Fathers, Forwards, and the Need to Be Seen I have been living away from home on and off since 2010, the first time I stepped away for my undergraduate studies. In the years since, I’ve grown in my parents’ absence—my mind widening with new ideas, perspectives, and friendships. But only recently […]

By Aman Basha This time, revisiting or taking advantage of a great text format found in this blog’s archives

By Pranav Jain Pranav Jain is an incoming civil servant and also a columnist. There was a time when I thought I liked music. Just music for its own sake, the way Schopenhauer imagined. Music for me was indistinguishable from background noise. It could verily be anything – the kind that played on FM during […]

The food and fibre sector in New Zealand plays a crucial role in the economy, driving economic activity and serving as a major source of export earnings. It is also pivotal in supporting the government’s growth and export targets. Recent… Continue reading →

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The film is about a number of characters in a number of relationship conflicts. Some are treated seriously, some are treated comically, and there’s definitely a vision – but there’s no emotional connection. The rest of this review may contain spoilers. There are many characters and many relationship stories in Anurag Basu’s spiritual sequel to […]

By Niveditha Prasad Niveditha is a law student at the National Law School of India University, Bengaluru and has previously been published with RIC Journal, and Cafe Dissensus (here, here, and here). She also runs a semi-regular Substack. She can be reached at nivedithakp2002@gmail.com I often joke that if I die an old maid there are two people to be blamed: Jane Austen […]

Shiva, Grace Antony, and Mithul Ryan play an urban family that, like the title says, learns to fly away. The sweet, gentle, musical feel of the film makes even the feel-bad moments of life seem like a feel-good experience. The rest of this review may contain spoilers. Ram’s endearing new film is called Paranthu Po, […]

The readily identifiable story is about moving out of rented houses and buying a home. And despite the many issues faced by the family, the director ensures that the film is an easy, pleasant watch. The rest of this review may contain spoilers. Sri Ganesh’s 3BHK revolves around a middle-class family of four. Sarathkumar plays […]

By Samyogita Hardikar Ananya Sangtarash didn’t leave work early that day like she had agreed to. She didn’t stop at the market on her way home. Once home, she didn’t shower; she didn’t cook; she didn’t clean. She didn’t dare to pick up the phone to reply to any of the messages asking if she […]

By Vikram MN Films like these are a delight to write, let alone watch. I was intrigued by the film right from the time the teaser came out. It was fascinating and interesting at the same time, plus it did the important thing of setting the tone of the film. With Sasi Kumar at the […]

For more, subscribe to GALATTA PLUS: https://tinyurl.com/ysbkyrh Copyright ©2025 GALATTA.

For more, subscribe to GALATTA PLUS: https://tinyurl.com/ysbkyrh Copyright ©2025 GALATTA.

The film had its world premiere at the New York Indian Film Festival. On the surface, it’s a genteel Agatha Christie-type murder mystery set in a small town. But dig deeper, and it says a lot about who we really are. The rest of this review may contain spoilers. In Kaisi Ye Paheli, Sadhana Singh […]

Written and directed by Sarin Kumar. Director’s Note: Ghost of the Writer is a minimalist psychological drama that explores creative paralysis through a single-character narrative. Set entirely in one room, the film externalises the internal resistance writers face, using stillness, light, and physical struggle as metaphors for the emotional cost of creation. It’s a film […]

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Written and directed by Shriram Thenappan.

Written and directed by Sagnik Dutta. Synopsis: A visually disabled young man participates in the trial of a medical device that allows blind people to experience vision. But the trial goes wrong, when the device shows him more than the human eye can perceive. A little bit about myself: I’m an ‘amateur’ filmmaker in every […]