
The 6th Wonderful Grace Kelly Blogathon is here!
Come and celebrate Grace Kelly via the marvelous entries written for The 6th Wonderful Grace Kelly Blogathon hosted by The Wonderful World of Cinema and The Flapper Dame!

A Dive into Mystery: ‘Dead of Night’ (Alberto Cavalcanti, Charles Crichton, Basil Dearden and Robert Hamer, 1945)
A review of the anthology film Dead of Night (1945) written for The 3rd Annual Spooky Classic Movie Blogathon

Discovering Lynn Redgrave in ‘Georgy Girl’ (Silvio Narizzano, 1966)
A brief look into the Redgrave family and a review of Georgy Girl (Silvio Narizzano, 1966)

The Fun of ‘Gregory’s Girl’ (Bill Forsyth, 1981)
Some films are easy to classify as endearing. There’s a little touch of something in those that always makes the viewings agreeable. Those types of films are often contained in a shell without false pretences. For me, the Scottish film Gregory’s Girl, directed by Bill Forsyth, bears these non-neglectable qualities. Initially, I discovered this delightful coming-of-age comedy in February 2021 when I did […]

‘Lisbon’ (Ray Milland, 1956) – the first Hollywood film shot 100 % in Portugal!
An article on Lisbon (Ray Milland, 1956), the first Hollywood production to be entirely shot in Portugal!

Towards the unknown: Thelma & Louise (Ridley Scott, 1991)
A review of the masterpiece Thelma and Louise (Ridley Scott, 1991)

Watch that man! William Holden & Co. in ‘Dear Ruth’ (William D. Russell, 1947)
An in-depth review of the comedy Dear Ruth (William D. Russell, 1947) starring William Holden and Joan Caulfield

Groovy Michael Caine travels to Turin : The Italian Job (Peter Collinson, 1969)
It’s not a secret for anyone familiar with The Wonderful World of Cinema that I love British films, especially the classic ones. They have a unique charm, especially with the actors and dialogue delivery that you don’t find in Hollywood films (and I’m not necessarily thinking of the accent). So, that’s why The Rule Britannia Blogathon (formerly The British Invaders […]

Don’t judge a film by its title… Million Dollar Legs (1939)
Betty Grable, just like other sex symbols such as Marilyn Monroe or Jayne Mansfield, is nowadays more often remembered for her physical appeal than her acting and the films in which she starred. We particularly remember her for that utterly iconic pin-up photo showcasing her famous legs (insured for a million dollars). Every GI owned […]

A Jolly Good Fellow… Mr. Deeds Goes to Town (Frank Capra, 1936)
It’s been ages since I’ve participated in a blogathon! The last time I did was actually in April 2022, and it was for one of my own blogathons… But life happened, and I just got busy with other things. My apologies to the bloggers whose blogathons I had to skip. Since things are calmer on […]

115 Years of James Stewart – THE MORTAL STORM (Frank Borzage, 1940)
Today, my favourite actor, the iconic James Stewart, would have been 115. Born in Indiana, Pennsylvania, on May 20, 1908, he became one of the most well-appreciated figures of classic Hollywood by exploring all sorts of genres, working with top directors such as Alfred Hitchcock, Frank Capra or Anthony Mann (I’m not his biggest fan […]

Ealing Comedy #3: Passport to Pimlico (Henry Cornelius, 1949)
Our exploration of the comedies produced by Ealing Studios continues today with what I consider a true classic of the series: Passport to Pimlico (Henry Cornelius, 1949). Interestingly, that was Cornelius’s first film! Sadly, his career was noticeably short, as he passed away at the very young age of 44. Although the previous Ealing comedies, Hue and Cry and Another […]

Ealing Comedy #1 : Hue and Cry (Charles Crichton, 1947)
I’ve recently announced that I was starting a new blog series exploring the Ealing comedies, films produced by Ealing Studios in London from the late 40s to the late 50s! I’m officially kicking things off with what is often considered to be the first one of that, let’s not forget it, unofficial series: Hue and Cry […]

More American Graffiti: A sequel with a special sound
Have you ever heard of the Wilhelm Scream? It’s a pre-recorded sound effect used in many films, usually to express surprise when a character falls from a great height, is shot, hurt, etc. While the scream was first used in Distant Drums (Raoul Walsh, 1951), it was named after Private Wilhelm, a character in The Charge at Feather […]

“Ain’t she sweet?” Kim Novak in Picnic (Joshua Logan, 1955)
We sometimes forget that Kim Novak is one of those classic actresses still with us today. I’m not sure why that is, except maybe that she’s not so much in the public eye anymore. Et pourtant… She was an icon of her time, but maybe not like Marilyn Monroe or Grace Kelly. Still, she certainly marked […]

Short Film Review: “Stuck” (Steve Blackwood, 2020)
Around a year ago, I reviewed a short entitled Meet the Author and directed by actor Steve Blackwood (Days of Our Lives, In the Light of the Moon, Beyond the Mask). The comedy taking place in a library and introducing an unpopular author was a pleasant one to watch and revealed Blackwood’s talent at writing […]

What’s Up, San Francisco?
“It’s a beautiful city Howard, isn’t it? I’d like to come here on our honeymoon.” – Eunice Burns (Madeline Kahn), What’s Up, Doc? *** That beautiful city that Eunice Burns is talking about is, indeed, one of the most inspiring places in the United States: San FranciscoIt might inspire a honeymoon as it is the […]

#Noirvember: Robert Mitchum and Faith Domergue are on the run- ‘Where Danger Lives’ (John Farrow, 1950)
One of my favourite things about #Noirvember is that it gives me the occasion to discover many new-to-me films during November. I indeed take to occasion to watch some noirs that I have never seen before and, therefore, expand my horizons. Of course, I’m free to watch films noirs all year, but, somehow, it feels […]

The Unlikely Pairing of Katharine Hepburn and Bob Hope in ‘The Iron Petticoat’
It’s funny because, these days, I am constantly reminded of my 2018’s trip to England for various reasons. One of them is that I recently re-watched the comedy The Iron Petticoat (Ralph Thomas, 1956), which I saw for the first time when I was in Liverpool. So yeah, that journey was a mix of Katharine Hepburn and The Beatles. […]




















